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Plot: After purchasing a brownstone in New York, a thirty-something divorced woman and her daughter are forced to take advantage of the hidden room - the "panic room" - when intruders break into their home.
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''This is what I do; if some idiot with a sledgehammer could break in do you really think I'd still have a job?''
A woman and her teenage daughter become imprisoned in the panic room of their own house by 3 criminals.
Jodie Foster: Meg Altman
Kristen Stewart: Sarah Altman
Forest Whitaker: Burnham
David Fincher has made a number of films i'm a huge fan of. Ranging from Zodiac to Seven. Panic Room again Fincher delivers again, a tense fired-up fast paced thriller. He has a talent for using every trick in the book in a way that perfectly merges with the material. He also always makes the most out of every script, which means the comparative quality of the movie relies strongly on the quality of the script Fincher has to work from.
Alien 3 was a false start for Fincher, a mangled and predictable script made merely watchable by excellent direction and some good acting.
In the cases of Se7en and Fight Club the screenplays were brilliant and so are the pieces themselves.
I won't even begin summing up all the loop holes Writer David Koepp has come up with. The fact he's aware of some of them (a villain says `we could've done that' after Jodie Foster's Meg Altman smashes the cameras) doesn't make them any less dumb. There's a case to be made for characters not behaving completely rational in the circumstances the movie presents, but Panic Room frequently stretched my ability to suspend my disbelief. Fincher does a good job of masking most of them, but no amount of great directing could ever compensate for the script's inclination towards cheap thrills.
[Meg smashes the house's security cameras with a sledgehammer]
Raoul: Why the hell didn't we do that?
Koepp's screenplay is conceptually quite strong but turns out to be not only a shelter for plot holes you could build a panic room in, but also a collection of ideas that you could call 'tried-and-tested'. I would rather call them tired-and-testing. You've heard the derogatory terms before; it's Die Hard in a house! or it's an adult Home Alone.
There's truth to both labels, but it goes beyond that. A scene echoing Rear Window I can forgive, but does that cops-knocking-on-the-door sequence have to be lifted from Bound? And is it just me or does the (in itself excellent) opening sequence merely update the one from North by Northwest? Then there's the use of plot devices so familiar you have trouble actually remembering in what film you've seen it before (because it's ten movies, not one). The best example may be the diabetic kid fitted as standard.
Another thing I appreciate in Fincher's other films is the amount of depth he finds room for. One thing becomes clear when watching this film, it's Fincher's homage to Hitchcock project, a thriller played straight with some technical wizardry supporting it (lots of CG camerawork and a reverse dolly zoom, a technique pioneered by Hitch in Vertigo, as the final shot), but a thriller which mainly goes for suspense. While Fincher's direction goes a long way in the suspense department (he cleverly bypasses the predictability of the screenplay) he doesn't seem to have applied any knowledge about why (certain) Hitchcock films are still interesting. Those films' main strength are the strong psychological themes throughout (Psycho, Rear Window and Vertigo). While Koepp makes some desperate resort to Altman's claustrophobia, it doesn't really go for that angle. In fact it doesn't seem to go for any psychological angle at all. As such, I found it too plot driven and lacking characters I really connected with. That lack of depth in any sense may not kill the movie, but it does reinforce my impression that this is Fincher's 'good-career-move' flick. A straight, stylish thriller with plenty box office potential but little substance. It feels somewhat like a film to rebound his career after cult hit Fight Club became a box office dud.
''I spent the last 12 years of my life building rooms like this specifically to keep out people like us.''
BUT....like I said, while the writing on this film isn't anything to be proud of, in terms of bringing it to screen there are little errors. Fincher succeeds in drawing tension from the most trivial of scenes, using his trademark bag of tricks. He's helped by Howard Shore's fitting soundtrack as well. Again every one of his shots is interesting in itself while they still serve a function, which is atmosphere. It's not as doom-laden as Se7en but threat is always sustained throughout. Panic Room isn't simply stylistically satisfying the way most Hollywood movies are nowadays. It goes beyond that. Technically, this really is a masterpiece. Also, Fincher gets the best out of his cast. Foster has a few truly wonderful (short and emotional) beats, while also showing being capable of handling a physical role such as Meg's. And the triple act of the burglars works wonders, even if Dwight Yoakam goes far OTT by the end.
I've lost count of the times I've watched this thrill ride. Camera angles, intelligent vantage points and multiple split screen shots which work to great effect. The music and sounds really do add to the tension also providing shocks and electric to certain scenes. In the guise of long dreary tones, that if you have ever played the original Resident Evil in the mansion, the same isolated helpless melody is used here, to great effect.
Jodie Foster a veteran actress is top notch class as a damaged fragile mother warily looking out for her daughter. Kristen Stewart also gives a performance worthy of note.
Jared Leto, Dwight Yoakam and Forest Whitaker also flesh out their characters to great effect, granted Dwight as Raoul is in a mask for most of the duration of the film.
For all it's tension there is humour also and some brilliant action sequences as Meg and daughter outwit their captives, the burglars.
One of my secondary fave thrillers, David Fincher continues to make smart slick films that give something for your mind to chew on.''It's disgusting how much I love you.''
Panic Room is a smart thriller that leaves the viewer feeling as claustrophobic as the characters on screen.
The entire film takes place in and around a large New York City house, with most scenes revolving around a tiny set piece- a safe room, or what's otherwise known as the panic room.
Criminals (Forest Whitaker, Jared Leto, Dwight Yoakam) who had thought the house was vacant, break in, looking for millions of dollars locked up in a safe in the main bedroom. To their surprise, a mother and daughter (Jodie Foster and Kristen Stewart) have already moved in. When they retreat to the house's safe room, the film revolves around the struggle of the intruders' need to get the family out of the safe room, and into the safe full of money.
David Fincher took somewhat of a turn on his directing career with Panic Room. Although there are some dark elements to the film, it is pretty much a straight-up genre picture. Fincher's care and technical skills lend a new look to the thriller genre. His smart use of integrated CGi give the film and cool and different look, placing us in the house and the panic room, along with the victims and intruders. You definitely feel the blood, sweat, and tears while you watch this film. Look for the creative opening title sequence (credits), and the gravity- defying camera pan of the entire house. Panic Room may be a bit of a departure for director Fincher after dark psychological fare like Seven, The Game, and Fight Club, but it definitely has a place in Fincher's filmography of interesting, well crafted films.
hm.. i saw this before. when the robbers want to take the treasure inside the panic room. the woman waiting for her husband to help them
This is a VERY great movie...if you like to be on your toes during a movie then watch this. It is great!!
very nice, lots of suspense at the begining and of course there is the uncerntainty about what is really going to happen!
Plot Summary for
Panic Room (2002)
This story centers around a divorced woman in her 30's and her daughter, who are caught up in a cat-and-mouse game inside their new New York brownstone when three burglars come looking for a hidden cache of cash. Mother and daughter hide in the "panic room," a secret room designed for just such a purpose, but still end up fighting for their lives...
This is like my all time favourite. I love thriller movies and this one is just great. You dont expect so much twists and action. Jodie Foster is one very calm lady if this was a real life situation. I love it. everyone who hasn't watched it should go and watch it.